| running order | list of stories that make up a news programme |
| wires | national and international press agencies |
| exclusive | news which no other news organisation has |
| DV footage | recorded images shot on a digital video camera often taken by eyewitnesses |
| camera crew | team responsible for filming |
| pitch | stanowisko, miejsce |
| primary research | podstawowy research |
| talking head | spiker, prezenter telewizyjny |
| TX DATE (Transmission date) | day when the finished programme will be broadcasted |
| R/V (Randezvous) | meeting with someone |
| IV (interview) | interview |
| GVs (General Views) | series of shots of a location that are used to set the scene for the story |
| fixer | freelance journalist |
| release forms | legal documents that interviewees sign to confirm their contributions can be used (without payment) |
| daily rates | amount of money that the crew can spend per day |
| digibeta | tape format (like VHS) |
| tape stocks | digibeta tapes which the camera operator records footage onto |
| sequences | series of filmed shots |
| carnets | custom documents often needed when taking espensive equipment outside the UE |
| windshield | covering used to protect a microphone from the noise created by the wind |
| pan | shot where camera is moving horizontally (left-right) |
| tracking shot | filming with the camera placed on a wheeled carriage going along a railed track |
| tilt | shot where camera is moving vertically (up and down) |
| pull focus | shot where the camera's focus is moved from one point to another |
| chief editor | "redaktor naczelny" programu telewizyjnego |
| output editor | wydawca programu |
| lay down | to record |
| royalty-free compilation CD | CD containing music you don't need to pay the composer to use |
| EDL (Edit Decision List) | it gives an idea of how the editor wants a programme to be edited |
| intercut | to edit and mix two concurrent scenes |
| shot list | a list of shots that the crew shot on location |
| mix | gradual change made by the output editor from one shot to another so that you can see next shot |
| booth | a soundproof boxed romm with a mic |
| time code | a sequence of numbers put on a tape when a cameram records a shot so it's easy to find the shots |
| clipspotter | ktoś, kto gada, kiedy na ekranie TV pojawiają się pojedyncze obrazy |
| script | the narrative spoken by the reporter in the booth |
| query letter | letter with an offer of a screenplay |
| logline | a one-sentence brief of the screenplay |
| hooks | anything that will get people's interest for the movie (target audience, location, music...) |
| lighting rig | a system for lighting a location |
| reconnoitre (recce) | a check if everytinh is ok with logistics and technical equipment on location |
| rights | legal authority over who may use a film |
| studio | place where films are edited and produced |
| licensing agreement | contract giving someone a legal right to use a film |
| prints | copies of the film |
| lease | rent; dzierżawa |
| box office | place where people buy tickets at a cinema; kasa biletowa |
| run | period in which a film is shown |
| screening | showing of the film |
